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19th century england and internet bubble
A scholarly look at the British economy of the 19th Century.Below is part of the table of contents. I include this to give the potential purchaser an idea of all that is covered in this book.
Part I: ANALYSIS||I. Trends in the British Economy: 1790-1914||II. Cycles in the British Economy: 1790-1914||III. Investment and the Great Depression||IV. Investment and Real Wages: 1873-86||Part II: ECONOMIC FACTORS AND POLITICS||V. Trade Cycles, Harvests, and Politics: 1790-1850||VI. Economic Factors and Politics: Britain in the Nineteenth Century||Part III: ECONOMIC THEORIES||VII. Explanations of the Great Depression||VIII. Bagehot and the Trade Cycle||Part IV: Narrative||IX. The Depression of the Seventies: 1874-9||Section I: General||Section II: The Money Market||Section III: Long-Term Investment||Section IV: Commerce and Industry||Section V: Labour||Note: The Principal Statistical Indexes||APPENDIX. Mr. Kalecki on the Distribution of Income, 1880-1913


A beautiful intoduction to Whitman
Beautiful

Wonderful rose reference for northern gardeners
If you live in the north you have to have this book!

American versus European Criminal Justice
Praise for Harsh Justicesources in many languages is awe-inspiring, and Whitman's argument resounds with daring suggestions and bold insights. A genuinely learned book, nothing short of brilliant."
--Lawrence Friedman, author of Law in America
"In this book James Whitman asks and answers questions in realms where others fear to tread. He confronts the brutal fact that we punish more harshly in the United States than do Europeans and forces us to think about the questions of social structure that lie behind this practice. He develops a thesis about the current impact of Nazi jurisprudence that is sure to trigger arguments from more conventional thinkers. This is a profound book, impeccably researched and documented, one that will change the way we think about criminal punishment and increase our appreciation of comparative legal studies."
--George Fletcher, author of The Secret Constitution
"Original, insightful, and provocative, Harsh Justice will start a conversation that has been importantly absent from modern criminology and criminal law. James Whitman asks fundamental questions about the cultural roots of modern differences in penal policy in developed nations and breaks new ground in addressing these issues."
--Franklin E. Zimring, William G. Simon Professor of Law, University of California, Berkeley


una fuente de la poesía actual
Excelente

A Native's View
HUNTERDON COUNTY: A MILLENNIAL PORTRAIT

Summary of this book.
Great for explaining terminal illness to Children

Superb additional material for Civil War Introduction
Like a camera into civil war hospitals and camps.Whitman gives one a glimpse of the war that is photographic and poetic. Its attention to detail, and sympathetic approach must raise a lump in the throat of even the most hardend reader.
He shows you the places, the times and the players. He lets them speak their stories through his lines. Through sadness he exalts them.
This book should be a required reading for all highschool or college American History classes.


A Necessary Part of History!David Chapman gives a great introduction and history of Don Whitman and his life. This is another great male nude photography book helping to keep the history of that era of photography alive today. This would be a great addition to your collection.
Truly unique!

Lovingly written, compiled and edited.Van Doren's preface, itself a famous piece of work, accounts for both the best and worst of Whitman's creations (Van Doren seemed to share Randall Jarrell's view that we can only appreciate the best of Whitman's poetry by acknowledging the depths of his worst work), and seeks to locate the personal Whitman within his verses. This essay alone is arguably worth the price of purchase.
What really sets this anthology apart from others like it, though, is the manner in which Van Doren takes his argument - that Whitman's work was always intimate, even though its themes were variously epical or universal - and applies it to his selection of poems. In inevitable inclusions such as 'Song of Myself', 'Mannahatta' and 'Crossing Brooklyn Ferry', we see Whitman the oracular poet, bringing into his egalitarian imagination the disparate bustle and brio of nineteenth-century New York and ordering them in verse. But when we read alongisde these poems 'Ashes of Soldiers', 'When Lilacs Last in the Dooryard Bloom'd', 'Native Moments' and 'Once I Pass'd through a Populous City', we begin to recognise the truth in Van Doren's thesis. Whitman's fear of death, his concern for the memories of the individual dead (as we see in 'As Toilsome I Wander'd Virginia's Woods'), and his nascently homerotic fascination with his own body (he writes in 'As Adam Early in the Morning', 'Touch me, touch the palm of your hand to my body as I pass,/ Be not afraid of my body'), complement those aspects of his poetry for which he is perhaps most famous: his mythical imagination, exclamatory verse, and descriptive catalogues of local people and places, which remind me of Homeric battle lists, except that they are predicated upon peace, not war.
Combined with his eloquent prose accounts of his activities as a nurse during the Civil War, his letters, and his thoughtful, incisive tributes to those he recognised as great poets (his critical work occasionally resembles the scrupulous excellence of Samuel Johnson), Whitman's poetry discloses subtle resonances that readers might otherwise be inclined to overlook, or forget. Long-time admirers of Whitman will be overjoyed by this classic edition of his work. Those who haven't yet experienced the joys of his language could do worse than look here for a comprehensive overview of his oeuvre.
Natural PoetryFirst and foremost, Whitman follows Emerson's thread of thougth in his nature-loving poetry, but Whitman allows himself fewer limits: He not only writes in free verse, he also writes explicitly about his sexuality.
His power, though, lies in his ability to take everyday things and use them in what we might call catalogue rhetoric: In a way he is just making drafts without logics. This is his way of putting everyday America into a poem. And it works. We may wonder what his point is, but Whitman is about sensation, not logics, and the feeling you experience when you read 'Song of Myself', his masterpiece, is truly unique. It is the same feeling you have when you see a beautful forest or sunset. This is poetry at its best.